‘Woke up it was a Chelsea morning, & the first thing that I saw, was a song outside my window, & the traffic wrote the words’
Football & music. Not always the happiest of bedfellows. Think Gazza with Lindisfarne. Think Anfield Rap or Good Old Arsenal with its oxymoronic, Jimmy Hill penned lyrics. There have been some aural horrors at Chelsea too, such as Ruud Gullit blowing his previously cool persona forever by getting the team to run out to Europe’s abysmal The Final Countdown , or Simply The Best blaring out in the early ’90’s to herald a team in 19th place preparing to delight that week’s expectant crowd of 12,117. The anthems are great though. Blue Is The Colour, Liquidator, Parklife, One Step Beyond & Blue Day all honourable contributors to the canon, essential components of the Stamford Bridge tapestry.
However, there are also songs that we associate with our teams, or at least certain days following them, that inveigle themselves into our match day memories in a more random way. Some are swiftly forgotten. Other probably should be. Many more remain embedded in our inner footballing consciousness forever, & can never be heard again without memories of Rotterdam in 2000 or Burnley at home in 1978 being invoked, & bathing us in a warm & ever so slightly soppy nostalgic glow. Cool has to take its turn on my list next to cosy pullover wearing crooners & ultra dodgy cover versions. Rightly so says the man fast approaching the pipe & slippers stage of life himself…
- Perry Como Magic Moments
- Jilted John Jilted John
- Madonna American Pie
- The Pogues Misty Morning Albert Bridge
- Television Personalities Part Time Punks
- The Slits Typical Girls
- Elvis Costello Hoover Factory
- Room 5 (Ft. Oliver Cheatham) Make Luv
- Bill Withers Lovely Day
- The Police Every Breath You Take
Perry Como Magic Moments (Stockholm May 13th, 1998)
It is no longer merely Stockholm to me. It is Aah Stockholm. Mad coach drivers. Aah Stockholm. Ice cream & boat trips. Aah Stockholm. Zola & THAT goal. Aah Stockholm. European glory. Aah….well I think you get the picture. A beautiful city full of beautiful people. On the second day, the afternoon of the Cup Winners Cup final itself, I passed a Stuttgart fan who was at least as ugly as me, possibly even more so. I could have kissed him. Actually, scrub that. Shaken him firmly by the hand. Randomly kissing German men is not really my bag. Either way, I thank him for being mildly repulsive. After the game, relieved at finding our coach amidst dozens of others, the post-match euphoria quickly subsided into a subdued lull, not unusual or surprising as physical & mental tiredness overcame the adrenaline fuelled euphoria of the previous two days. This was an inadequate state of affairs for one fan, who approached the aforementioned mad driver & pressed a cassette tape (for yes readers, it is still the 1990’s & cassettes are still most regularly used in cars) into his hand. He plays it. We do not get grunge, or Brit pop, or rap. Neither, thank God, do we get the Nuremberg rally pop of Queen’s horrendous We Are The Champions, always an unwelcome staple at such moments, a revolting skid mark in the pants of many a sporting triumph. Instead we get Perry Como’s Greatest Hits. And it fits, the old smoothie’s velvety tones reverberating around the coach and complimenting the general air of weary contentment. ‘Magic moments, memories we’ve been sharin’ indeed. Fortunately, nobody attempts a reprisal of the playground version of the song starting ‘I’ll never forget the smell of the sweat from under her armpits.’ My dad was a fan of the crooners & a formative memory is of hearing him sing Perry Como songs in the bath prior to going out on the bevy with his mates on a Friday night. He loved to whistle too so Magic Moments ticked all the boxes. As it did in Stockholm. Aah Stockholm. ‘Time can’t erase the memory of these magic moments filled with love’…..you tell ’em Perry
Jilted John Jilted John (Barcelona April 18th, 2000)
We are at the airport in Barcelona after a Luis Figo inspired 5-1 drubbing. A more than creditable first Champions League season has ended & we are a forlorn & bedraggled bunch, overseen by unimpressed policemen & airport staff, both keen to see the back of us, exuding an air of boredom laced with mild hostility. The mood is transformed by a Chelsea geezer (there really is no other word ) standing up & performing an impromptu, word perfect, version of one hit wonder’s Jilted John’s eponymous 1978 new wave curio. The humiliation of the evening is momentarily put to one side, memories of Rivaldo, Kluivert & Luis bloody Figo humiliating Ferrer, Babayaro, Lebouef et al shelved as everyone joins in at the chorus & the good people of Barcelona are forcefully informed several times that ‘Gordon is a moron.’ The geezer has put more heart & energy into his 150 seconds of glory than the stagestruck Chelsea players had managed between them in two hours at the Camp Nou but is enraged when his magnificent efforts are met with premature cheers & applause from the rest of the Chelsea supporters. He has not completed the spoken word ‘I ought to smash his face in yeah yeah not fair’ refrain immortalized by the artist how known as John Shuttleworth, & waves his arms furiously to shut everyone up until it is completed. It is a performance of true bravura & the cheers are even louder when he eventually finishes. They are not universal however. The police & airline staff are bemused & have their own, apparently collective response to the spectacle written all over their faces. ‘Get these idiots out of our country.’
For the first time all day I feel proud to be British.
Madonna American Pie (Rotterdam March 14th,2000)
A month earlier we had been put into the ground hours before kick off lest we engage in combat with the more lairy element of Feyenoord’s fan base. They have history with Spurs going back to the 1970’s (who doesn’t?!) It is a cold night, not improved by some pointless wretch throwing beer over a hapless steward & various unwelcome renditions of ‘No Surrender to the IRA’ when the match eventually begins. This song has not been heard at Stamford Bridge in recent times so whether this is due to some some Combat 18 infiltration or merely less focused pin headed jingoism I am unable to say. Generally speaking, however, the Chelsea fans are well behaved & in good voice. Frank Lebouef misses an early penalty but a Zola cracker flies in off a post & we go in 1-0 up. The break only reinforces how cold we are. Cue American Pie. I make no defence against the argument that Madonna’s version of the classic Don Mclean original is a cowpat of a record but it comes on at just the right time. We all know the words, it blares out around the ground & it bounces along perkily, crap though it undoubtedly is. In the words of Don, via Madonna, we started singing. The need to blot out the cold, combined with the raised spirits arising from Gianfranco’s recent moment of magic leads to a rare old singalong. Smiles abound & the driving wind coming off the North Sea is briefly forgotten. At this moment we know we are not going to lose this game. Feyenoord equalize early in the second half, but Dennis Wise scores a diving header, Tor Andre Flo gets another & the final victory is comfortable & emphatic. We are kept in the ground for what seems like an eternity after the final whistle, so long in fact that we get to enjoy another, singular & surreal sing song when the players come back out for a post-match training session & Wisey responds to our cajoling by leading us in a rendition of Carefree. Having briefly heard the little scamp sing I am loath to further condemn Madonna’s cover of American Pie & am always strangely moved on the rare occasions I hear it.
The Pogues Misty Morning Albert Bridge (League Cup v Newcastle 28th October,1992)
I dreamt we were standing
By the banks of the Thames
Where the cold grey waters ripple
In the misty morning light
A happy accident on this particular night created the cockeyed walk to the ground which was to become my pre match template for many years. Arriving at Victoria early for this League Cup clash with Kevin Keegan’s resurgent Newcastle, & tiring of the hustle & bustle of the King’s Road, I randomly take a left at the Chelsea Town Hall. There is barely a soul in sight along the side streets, & I don’t have a clue where I am heading, but end up in Oakley Street, a stone’s throw away from the Albert Bridge. I am not a well travelled man but from childhood have been enchanted by the Embankment at night, & confident there are few sights that could bring me more pleasure. In the middle of one of the world’s most congested cities I relish a few moments of peace & tranquility staring at the beautifully illuminated Albert Bridge, with its indefinable magic.
Held a match to your cigarette
Watched the smoke curl in the mist
Your eyes, blue as the ocean between us
Smiling at me
Misty Morning Albert Bridge was released in 1989. It was always a great tune but hampered, along with the rest of the album from whence it came, by an uncharacteristically muddy Steve Lillywhite production, apparently due to the latter lacking confidence in Shane MacGowan’s vocal performance. A 2013 remix has redressed this unhappy state of affairs & lended greater clarity to the marvellous Jem Finer lyric, not referring to the Albert Bridge’s nocturnal delights, true, but capturing its allure with a poetry beyond most of us.
I do not know it but Oakley Street has a pedigree of A list residents. David Bowie lived there. George Best lived next door. In Oscar & Lady Wilde’s old house. Nearby Cheyne Walk has been home to numerous movers & shakers of their respective ages. Lloyd George. Bram Stoker. Bertrand Russell. Mick Jagger & Marianne Faithfull. More Stellar Street than Stella Street. I decide not to bother the local estate agents. After Marianne had flown the nest to sit on Soho walls taking heroin Mick was known to pop round to Mr Bowie’s house, possibly for more than just a cup of sugar. Brown sugar. Just around midnight. From this night on my walk to the ground always involved this detour & it is particularly cherished for night games when a short, leftwards glance towards an illuminated Albert Bridge helps set up the evening perfectly. Stamford Bridge was lit up magnificently on this particular evening too, as Frank Sinclair & Mick Harford goals saw off a lively, well supported Newcastle team, for whom a Rob Lee goal was scant consolation for the long, empty handed trek home. Never mind eh?
Television Personalities Part Time Punks
Walking down the Kings Road
I see so many faces
They come from many places
They come down for the day
They walk around together
And try and look trendy
I think it’s a shame
That they all look the same
Recently there was a YouTube video accompanying this 1978 gem, with its perennially hummable tune from my long departed youth, featuring some lovely archive footage of punks arsing around on the Kings Road. It would be slightly fraudulent to post it here because by the time I started regularly walking to Stamford Bridge from Victoria Station even the cartoon ’80’s punks with their mohicans & Exploited t-shirts had mugged up for the last camera wielding tourist, wriggled out of their bondage trousers & finally buggered off to be quantity surveyors or UKIP leaders. Nevertheless, It always remained a permanent fixture on the match day jukebox in my head as I sauntered past Sloane Square. I first heard it on a terrific Rough Trade compilation called Wanna Buy A Bridge, cleverly nestled next to a track referenced in its lyric, Swell Maps splendid Read About Seymour. By the late ’80’s the Kings Road is not the cool & vibrant place it once was, although I still expect an imminent & wholly warranted arrest from the fashion police when making my way to the football. The only trend it is embracing is the one nudging us towards the homogenized tedium that is the modern retail world. The fate of 49 Kings Road says it all. Once The Chelsea Drugstore, a late addition to swinging London in the 1960’s, a three floor building housing among other things a pharmacy, record store, boutiques, newsstands & various eateries. It was famously name-checked by The Rolling Stones in You Can’t Always Get What You Want, & frequented by Malcolm McDowell’s Alex in A Clockwork Orange. It is now in its third decade as a branch of McDonald’s. Globalization come on down.
Of course, geeky voyeurs like me are, in truth, more at home in McDonalds than we would ever have been trying to rub shoulders with the groovy cats who doubtless frequented the Chelsea Drugstore. This misses the point though. I might not ever have fitted in but as a cultural tourist I want to experience the feeling of not fitting in while having a gawk at the people who do. Which returns us neatly to Part Time Punks. Is it a swipe at the small, resentful London punk elite upset that their fun has been invaded by the outside world or a 158 second sneer at dullard proles arriving far too late for the original party & somewhat missing the original point of the whole thing? Whatever, it remains a thing of joy & I would need to be entirely be lacking in self awareness to think that teenage hicks from the sticks like me avoided its perceptive lyrical glare.
They play their records very loud
And pogo in the bedroom
In front of the mirror
But only when their mums gone out
Okay. Guilty your honour. Spin on.
The Slits Typical Girls (Chelsea 1 Birmingham City 2 – Sep 8, 1979)
This match took place a mere day after the release of The Slits debut album Cut, a suitably unruly & brilliant record by a band that looked, sounded & behaved like no other female group in pop history up to that point. A documentary featuring John Peel at that time showed band members spitting & simulating masturbation in the direction of the camera. John Lydon married the mother of one of the band, the late Ari Up, so doubtless polite society blamed the parents. You didn’t get that from Dana or The Nolans, though Lemmy once alleged that one of the latter once calmly said to him ‘while you’re down there’ when he bent down to pick something up in front of them. Clearly in the mood for dancing that day. On this day, there is a large billboard advertising the album on the opposite side of the road as you walk towards Fulham Broadway Station. Three women, topless & daubed head to toe in mud, stare forbiddingly out. It is not difficult to see images of naked women in Britain in 1979, but this picture is entirely at odds with the plentiful array of bouncing bristols found everyday in the best selling tabloid newspapers of the day. The Slits are not passive, or simpering, or attempting to appease slobbering male fantasy. Catch their eye in the wrong way & you suspect they would rip your nuts off.
Stamford Bridge is not a happy place at this time. Ray Wilkins had departed for Man Utd that summer, & this game sadly turns out to be the end of the line for two legendary post-war footballing icons, Danny Blanchflower & Peter Osgood. Osgood, stood pretty close to where his ashes are now buried, lays on the Chelsea goal for Clive Walker with a noncahlent flick of his right foot, but a Birmingham City team, led by Archie Gemmell (surprisingly & apparently prematurely sold by Brian Clough a short time earlier) win more comfortably than the 2-1 scoreline suggests. Future Charlton & West Ham manager Alan Curbishley scores the winner after Walker’s goal had cancelled out an opener from Steve Lynex, himself bearing the sort of name that would have fitted nicely into that era’s contemporary music scene. Blanchflower resigns after this defeat, to be replaced by Geoff Hurst. Prior to his dismal 9 month stint as Chelsea boss, the Spurs Double winning skipper had been writing odd, Lewis Carroll inspired articles on modern football in the Sunday Express using Tweedledee & Tweedledum as stooges to make whatever points it was he was trying to make. Such whimsy may have sat well with Sunday Express readers but it seems not to have translated well to the modern football dressing room. I had given up on him after he attempted to play mercurial striker Duncan McKenzie in midfield & reacted to a 6-0 defeat at Nottingham Forest by suggesting his young players maybe needed to learn to lose before they could learn to win. They really didn’t Danny. Osgood follows him out of the door as Geoff Hurst is promoted to the hot seat. Hurst is one of the least popular managers in Chelsea history, but one of Osgood’s complaints is that Alan Hudson offered his services at the time & was asked to prove his fitness first. This outraged both Hudson & Ossie, but given their previous track record for skipping training for the pub, & Hudson’s subsequent admission that he once played drunk during a match at Highbury (for Stoke, where Hurst was a colleague, & initially put a roof over Hudson’s head) the former World Cup hero’s request does not seem entirely unreasonable. A penchant for going on the piss is one thing. Taking the piss is something else. Chelsea lose 3-0 at Shrewsbury the following week but things look up after that, & they end up narrowly missing out on promotion as Birmingham pip them on goal difference, aided by a 5-1 drubbing in the return match at St Andrews the following March. In April I go to see The Undertones at the Birmingham Odeon & get openly sniggered at. I am wearing a Chelsea shirt, as is guitarist Damien O’Neill in the My Perfect Cousin video. Snigger away boys, at least I don’t come from a place that gave Crossroads to the world. May God have mercy on your souls.
There is an undercurrent of depressing ugliness & malignancy around Stamford Bridge in this era, & I specifically recall an unwelcome National Front presence outside both the main gates & the Bovril entrance on this afternoon as they try to impose their abhorrent views on us all by waving about copies of their doubtless delightful newspaper Bulldog. This was known to feature a Top 10 of the most racist fans in the country, Chelsea frequently faring rather well apparently. The Slits failed to trouble the musical Top 10 but remain an inspirational force of nature whose influence extends way beyond their record sales. Twenty years later I work with a quiet, bespectacled, studious looking chap called Ben. We don’t share a lot in common but one day I mention The Slits & his face lights up. Proudly he extracts a small, glossy piece of paper from his wallet which turns out to be a photo of the cover of Cut. Bassist Tessa Pollitt, one of the three Amazonian figures in the photo (& on that Fulham Road billboard all those years earlier) is his sister. I would never have guessed. Ben is a nice lad & at no time when we worked together did he betray any preference for publicly spitting or simulating the act of masturbation. Which, I’ve got to be honest, was something of a relief.
Elvis Costello Hoover Factory
Singing this song to myself while appreciating the art deco wonder of its subject, the one time Hoover Factory, in Perivale, was always one of the staples of my match day coach trip on both legs of the journey in & out of London. The song itself, written by fellow admirer Costello, is a mere 104 seconds long, but the advantage of its existence is that it was penned when its author was on both lyrical & musical fire, working as a computer operator for Elizabeth Arden in nearby Acton in 1977.
Five miles out of London on the Western Avenue
Must have been a wonder when it was brand new
Talking ’bout the splendour of the Hoover factory
I know that you’d agree if you had seen it too
This building is a welcome diversion to this day from long stretches of motorway, nearby disused golf courses, self storage units & idiots talking horseshit loudly on their phones. Great building, lovely song. Elvis saying it all sadly allows me to indulge myself in another of my continuing series of inconsequential tales of minor brushes with fame of wafer thin interest to anyone but myself. In December 1984 I have a Christmas job at Dixon’s, electing to stay in the stockroom rather than try to sell Commodore 64’s or Alan Sugar’s appalling Amstrad tower systems (3 sold one Saturday afternoon, 3 returned within 2 days, God knows how you’ve got away without being fired you Spurs loving midget.) I worked over 70 hours in my first week & took home £49. After 4 weeks the prospect of rejoining the dole queue was losing its sting, but a friend from college days contacts me to say he has a spare ticket for an Elvis Costello solo concert at the Royal Festival Hall. I ask to leave work early that day & explain why. The store manager, a man called Malcolm Dennis, agrees without comment, probably relieved to avoid me grinding more Marlboro stubs into his otherwise immaculate new stockroom floor. All I know about Malcolm was that he has a background selling cameras & an alleged liking for Frankie Goes To Hollywood. The concert is great, but Dixon’s are out of my life as soon as Christmas is out of the way, the dreaded Amstrad tower systems at least giving me somewhere to hide while listening to Chelsea updates during a great 4-3 win at eventual champions Everton, 3 days before that year’s celebration of the birth of our lord. A couple of years later I buy a biography of Elvis Costello. Leafing through the photos reveals a mid ’70’s picture of his first band Flip City. Peering through rather more hair than he was wearing the following decade is a strangely familiar face. It is Flip City’s drummer & his name is Malcolm Dennis. It is clearly one & the same & the rotten sod never said a word about his connection to the biggest musical hero I had in those years!
Green for go, green for action
From Park Royal to North Acton
Past scrolls and inscriptions like those of the Egyptian age
One of these days the Hoover factory
Is gonna be all the rage in those fashionable pages
Great songwriter but no Nostradamus our Elvis. Tesco brought it in the early 1990’s as they began spreading their vile, corporate wings ever further. Still a fabulous building though.
Room 5 (Ft Oliver Cheatham) Make Luv (Arsenal 2 Chelsea 2, FA Cup 6th Round, Mar 8, 2003)
2002-3 can now be seen as a pivotal season in the history of Chelsea but things were a whole lot less clear cut at the time. Chelsea teeter on the brink of financial ruin, as the failure to go beyond the one season of Champion’s League football 3 years earlier has seen the club overstretch disastrously. Only one signing was made in the summer, & that proves a temporary one due to Deportivo Alaves having a longer term claim to the services of the underwhelming Enrique De Lucas. As 2003 unravels, the paramount need to qualify for the Champions’ League becomes increasingly apparent, the target eventually reached via a last day shootout with Liverpool.
Lack of new signings were not the only symptom of the club spiralling towards insolvency. John Terry, now establishing himself as a brilliant defensive presence, was rumoured to be on a relatively paltry salary & Arsenal were among those sniffing around as a new contract beckoned but remained unsigned. Against this rather gloomy backdrop the team performed magnificently to finish in the top 4, a 36 year old Gianfranco Zola performing out of his skin, outscoring the splendid Jimmy Floyd Hasslebaink & Eidur Gudjohnsen & complementing the emerging talents of Terry & Frank Lampard, the former still learning his trade alongside top quality defensive partners in Marcel Desailly & William Gallas.
There had been fun & games aplenty in the build up to this match, January seeing some media preoccupation with the wretched state of the Stamford Bridge pitch, which by the time Charlton arrived in the middle of the month had been completely covered in sand. Chelsea won the game 4-1 & were totally brilliant, but Charlton boss Alan Curbishley squealed like a pig to the press & another spurious anti-Chelsea media campaign limped along for a few weeks. Had Chelsea played at The Valley to find similar conditions & whined after a battering the words overpaid primadonnas would have been bandied about with gay abandon of course. On this occasion many in the press backed the ludicrous argument that the result should have been declared null and void. Clearly nobody in the press had ever seen the state of Derby County’s Baseball Ground pitch during their ’70’s heyday.
I had more serious things on my mind than uneven playing surfaces & standards of journalism at the time. Alyson, a friend & colleague for nearly 20 years, had been taken ill over the Christmas period. Taken into hospital before New Year the rest of us returned from the holiday season to the news that half her stomach had been removed. I have a couple of phone conversations with her, one of which is quite upsetting & which has to be curtailed while I go to sort out a customer complaint at work. A programming error on the tills means a man has been overcharged £1 & this apparently entitles them to swear at me in front of their very young daughter. Still, being well spoken means it doesn’t count right? He gets his quid but will never know how lucky he was not to be spitting teeth out of his ringpiece. I plan a visit on the afternoon of the mid-week game against Leeds but get a phone call from Jon, her husband, advising me that she is to have another medical procedure. The match is brilliant, a five goal thriller, one of which is a truly majestic Eidur Gudjohnsen bicycle kick, comfortably ensconced in the canon of all time great Chelsea goals. It is rivalled a few days later by an extraordinary, ridiculously sublime Zola free kick at home to Spurs, on the way home from which I bump into Alyson’s brother, Richard. Her family is in bits. Richard & I had once travelled up to Stamford Bridge together, & Jon had stood in the Shed with me on New Year’s Day 1992 to watch a twice deflected Mike Sheron shot rescue his team, Man City, an undeserved last minute point.
Doubtless my recollecting goals from football matches while a friend was in the process of dying will confirm the prejudice of football phobics, proof of the infantilization of lovers of the game, burying themselves deep in something essentially meaningless in an attempt to divert themselves from confronting the harsh realities of the real world. The Oz founder Richard Neville used to lament to John Peel that football had replaced religion as the opiate of the masses, to which the latter responded that they needed one. I am not sure that a passion for football is any more puerile than spending spare time line dancing, trainspotting, going to Take That reunion concerts or cladding oneself in lycra to speed along footpaths abusing pedestrians strolling along the riverside. I might also counter that the fact that I can date these footballing events so precisely is because something else so momentous was occurring. There has to be some light among the general darkness on such occasions. You celebrate a goal with as much gusto, if not more, at times like this, but the euphoric feeling wears off quicker. Having grown up in the era of football tragedies such as Ibrox, Bradford, Heysel & Hillsborough I don’t accept that football cushions you from the harsher elements of life anyway. On a lighter note, I had to go into school after a 7-1 defeat at Wolves in 1975 & face the music. There was no hiding place for the supporter of a misfiring football team. Nobody harangues you if you didn’t win at Bingo the night before, or had the camera on the wrong setting when you took that picture of a Kingfisher. Nothing prepares you better for disappointment & public ridicule than football.
With my customary, immaculate timing I eventually visit Alyson the day after she has been told that nothing more can be done for her. The look on her face when she tells us will never leave me. We already know & I think she knows we know too. Within a fortnight she is dead. Bill tells me he has tickets for the Arsenal & WBA away games ‘because you’ve had a rough time recently.’ Not compared to others I haven’t, but your friends truly show themselves at times like that. Having to shuffle work commitments around home games I do no get to as many away games as I would like so any trip away from Stamford Bridge is an adventure for me.
There is a relatively new phenomenon in 2003. The 5:35 kick off. Like most people, Bill & I fail to adapt by treating the day as if the match was starting at 3. Like most people, we’ve had a few by the time we enter Highbury. JT’s thumping header is quickly cancelled out by a rare Gunners goal for Scouse pinhead Franny Jeffers who celebrates in front of us. We are near the front at The Clock End. ‘I saw you in the crowd’ a work colleague tells me a couple of days later. I hope she didn’t see my reaction to Franny Jeffers. Thierry Henry has put Arsenal in front by half time. I am adamant it is offside. The big screen tells us otherwise. The spouting of sporting bollocks. Sponsored by Guinness. It looks like we are going home to nurse our hangovers with yet another cup exit to Arsenal. We only ever seemed to lose to Man Utd or Arsenal in the FA Cup during this era. Chelsea poke, prod, grunt & sigh their way around the Arsenal penalty box but an equalizer seems unlikely, until a goalmouth scramble leads to an attempt to clear the ball ricocheting off Frank Lampard’s shin & into the Arsenal net. Pandemonium. I lose Bill. He has joined the merry throng attempting to jump on the back of the elated goalscorer. He is 40 & full of ale. That’s Bill not Super Frank of course. An honourable 2-2 draw ends with us still in the cup & still able to cram some more beer in at The Shakespeare Tavern at Victoria, a less than salubrious choice of venue that betrays the fact that enough has already been taken on board by now.
By the time I waddle across the road to catch my coach home I am, for the first time in a while, suitably merry. We are still in the FA Cup. We lose the replay of course, & Arsenal beat us again the following year, but that is all ahead & the failure to get the tune that has been circling around my brain all day leads to desperate measures. I release it by singing. This is inadvisable. I have a terrible voice & fellow passengers at Grovesnor Gardens are unwilling listeners, but I’m pissed & I don’t care.
I like to party mmhmm
Make luv and listen to the music
You’ve gotta let yourself go go go go go oh
This is my equivalent of jumping on Frank Lampard’s back & probably more undignified, albeit prompted by the same source. I am 40 & full of ale. Eventually I realise that passengers queuing for the Oxford Tube are either exceptions to the rule or Room 5 are a bunch of fucking liars. Nobody shows an inclination to party, so not everybody does like it apparently. They also fail to make luv. They briefly have no choice but to listen to the music, although me singing is music in the loosest possible sense, & they definitely don’t let themselves go go go go go oh. I could try haranguing the queue (or suing Room 5) but by now all I have learnt from 40 years on the planet is that life is far, far too short. So I shut up.
Bill Withers Lovely Day (Chelsea – Burnley ,FA Cup 4th Round, Jan 31, 1978)
‘If you’re on your way to Stamford Bridge for this afternoon’s 4th Round tie against Burnley – don’t bother!’
So said the Sport on 2 anchorman (quite probably a pre-Werthers Original era Des Lynam) as Mr Bradley, father of my school friend Nick drove us towards White City 3 days before this tie was eventually played. The rain had been incessant & remained so as we turned back towards Oxford. We are hopeful for the first time in years about our chances in the FA Cup. The previous round had seen a stunning 4-2 win over Liverpool, then both reigning League & European champions. The omens are good too. In the 1970 we had played Burnley in the 4th Round too, my first ever game to boot. Ron Harris revealed that his wife was expecting a baby, as she had been in 1970. The team were conceding plenty of goals but usually scoring more. We wouldn’t allow a waterlogged pitch to be any more than a diversion.
The weather was barely any better as we entered a sodden Stamford Bridge for the rescheduled tie 3 days later. Manager Ken Shellito had announced in the press that muddy conditions would suit striker Steve Finnieston as his recently injured ankle would appreciate the extra give in the pitch. He gets his wish. Despite conceding a goal in the first minute (having kicked off themselves!) Chelsea win the game 6-2, & excitement at the prospect of a serious cup run gathers pace. They lose in the next round, to the mighty Orient, who get to the semi finals before being trounced by Arsenal. At Stamford Bridge to rub it in.
This did not trouble us on the night, a resounding win rendering the bleak, wet winter’s night an irrelevance & Bill Withers current hit Lovely Day serenading us as we revelled in a 3-1 half time lead is a strangely enduring memory. Current at the time, Lovely Day remains a thing of beauty despite its charting again a decade later with a truly horrible remix. The match day DJ at Chelsea in the 1970’s was a man called Pete Owen. He may have played Lovely Day as an ironic reference to the truly awful weather of the previous few days, although ’70’s DJ’s were not generally over imbued with ironic sensibilities. Poor Pete once fell for one of the oldest PA banana skins, namely acceding to a request from ‘friends’ to ask if Mike Hunt was in the ground. Nick & I found this hugely amusing. We were 15. Never mind Pete. Through the wind, rain, mud & general wintry gloom Lovely Day spread its lush, warm glow around Stamford Bridge that night. Props for playing it. I’m guessing Mike Hunt never did show.
The Police Every Breath You Take
I am unable to supply the relevant year, let alone the match, when Sting’s 4 minute stalker’s charter first invaded my journey to Stamford Bridge. I’m guessing late ’80’s or early ’90’s. The Sony Walkman now invades the peace of the coach journey. At one stop on the way out of Oxford a rather disconsolate young man trudges on to the coach, sits behind me & commences the predictable ritual as he searches for his preferred choice of song. Rewind tape. Click to stop. Wind tape forward as you have now rewound it too far. Click to stop. Click to play. Hallefuckinglujah. The songs starts. It is Every Breath You Take. Its riff is unmistakable, especially to blues great Freddie King who Sting once admitted he stole it from. Freddie is not on the coach, having died in 1976, so it is left to me to recognise it & feel anger on his behalf. Given that the entire history of popular music is littered with similar steals this is somewhat sanctimonious of me. Never mind. Sting deserves it. Every Breath You Take is a good tune for sure, whether its true author is Freddie King or everyone’s least favourite narcissistic Geordie. Its sinister, creepy lyric , all about obsessive love, is entirely the property of the artist once known as Gordon Sumner, composed in the aftermath of Sting leaving his wife for their next door neighbour, who he subsequently married. On this day, the song finishes & the familiar click, rewind, click, wind forward ritual begins again, until the next tune is ready to play. Eventually it starts.
It is Every Breath You Take by The Police.
By the time we reach White City I have heard a muffled rendition of Every Breath You Take, filtered through the tinny headphones of another person’s Walkman, at least a dozen times. I begin to fear for my mental health. I am terrified for his. When reaching The Westway at this stage of the journey I had always enjoyed conjuring up sounds of The Clash, but since that day have always struggled to expunge the memory of The Police’s biggest ever hit from my brain as the flyover towards Marylebone Road & Shepherds Bush beckons. I do hope he got over her eventually. Or him. Could have been gay. Whoever the object of his tortured affections was I sincerely hope they emerged unscathed too. Don’t have nightmares.